Joshua Ray Gooch
Born in Seattle, Washington, Josha Ray Gooch relocated to San Diego with his family at the age of seven. Following in the footsteps of his father, who always kept guitars around the house and composed music, Josh began playing when he was thirteen years old and quickly became addicted to the guitar, often times playing for six to seven hours per day. He considers playing the guitar a passion, not a job. Within three years, Josh recorded his first major work for legendary producer of The Allman Brothers Band, Johnny Sandlin on the Highly Kind album, Don't Wake Albert.In 2009 Josh beat out over 4000 guitar players to reach the national final of Guitar Center's King Of The Blues. Josh recently toured Japan with Japanese superstar Koshi Inaba. Koshi is the singer for B'z, one of the best selling Japanese bands in history. Having sold over 100 million records they were the first and only asian band to be inducted in Hollywood's Rockwalk..Josh recently recorded with Grammy winning producer Ross Hogarth, Tony "The Fretless Monster" Franklin who has worked with Jimmy Page,Paul Rodgers and lots of other prominent artists.
Josha Ray Gooch became a finalist in the King of the Blues competition organized by the Guitar Center in 2009. His relationship with Yamaha began thereafter through an introduction by Joe Bonamassa, at which time the LJX26CP acoustic-electric guitar and SG1802GT electric guitar were loaned to him when he visited Yamaha Artist Services, Hollywood, which is Yamaha's artist relations base in North Hollywood. Josh was invited to participate in the solo tour of B'z vocalist Koshi Inaba in 2010, and he and his instruments were backed by Yamaha Artist Services Tokyo, which is Yamaha's artist relations base in Tokyo. Josh also visited Yamaha Artist Services Tokyo three times during his stay in Japan and recorded a promotional video of the SRT (Studio Response Technology) System for acoustic-electric guitars during one of these visits. The recorded video has been introduced via the Yamaha Artist Services Tokyo blog and frequently via other channels. Since then, Yamaha has also loaned Josh SG1820, NTX900 and SA2200 guitars. Seeing him perform live, Yamaha continues to provide ongoing support in the belief that Josha Ray Gooch, with his high level of talent as a guitarist, will become an artist representing Yamaha guitars in the future.
Vintage SG look with a pair of Seymour Duncan SP90s. Delivers a wide palette of tone rangingfrom warm solo to bright, crisp comping.Diğer Renkler Mevcuttur
This is the standard model of the SG1820 series and the guitar all of the new SGs are based on. Its spec and appearance are based on feedback from the artists who were involved in its development in Tokyo, London and YASH in Hollywood. SG1820s are all handmade at YMC in Japan and feature the custom-shop parts relied on by professionals for tour-ready tone, feel and reliability.Diğer Renkler Mevcuttur
Mike Stern’ün imzası Yamaha’ya özel ahşap kaplama ve cila ile kendini yeniledi. IRA (İlk Tepki Hızlanması [Initial Response Accelaration]) teknolojisi yeni gitarlarda sıklıkla görülen stresi yok etmekte ve enstrümanı son derece enerjik ve duyarlı hale getirmektedir. Tek parça akçaağaç sapa daha fazla konfor için yağ bazlı cila uygulanmıştır. PAC1611MS ile beraber, bu gitarın kendi özelliklerine uygun ve mükemmel şekilde üretildiğini kanıtlamak üzere Mike’ın kendisi tarafından imzalanmış bir sertifika verilmektedir.
A3R’nin yan ve arka kısımları tamamiyle masif Gül Ağacı'ndan ve gövdesi elle seçilmiş değerli Sıtka Ladini'nden yapılmıştır. Yamaha’nın orjinal dretnot gövde stili, System 63 SRT manyetik & preamp ile muhteşem bir uyum sağlamakta, en doğal, uyumlu ve güç tonlar elde etmenizi sağlamaktadır.Diğer Renkler Mevcuttur
The Yamaha SA2200 combines a classic design with outstanding craftsmanship, premium materials and player-focused features to create a guitar that perfectly combines looks, sound and playability.Diğer Renkler Mevcuttur
Other Guitar & Bass Artists
Starting at the age of 16, Lee played his first session with The Mama's and the Papa's. Two years later he was backing Tony Bennett and Lena Horne at L.A.'s Dorothy Chandler Pavilion. Known as "Captain Fingers," Ritenour became a sought-after session player in the mid-70's. Starting in 1976, at the age of 24, he began his own solo career which now includes over 30 albums and collaborations. Although heavily influenced in his early days by the relaxed styles of Wes Montgomery, Joe Pass and Barney Kessel, he now has his own distinctive sound and fluid style. His list of session work is awesome (some 3,000 sessions), but some of his notable performances were with Herbie Hancock, Steely Dan, Dizzy Gillespie, Sonny Rollins and Pink Floyd. Since the mid-80's Ritenour has been strongly influenced by Brazilian music.